Matchess, aka Whitney Johnson is a musician, composer, and writer based in Chicago. She performs, improvises, and collaborates through the viola, as well as vocalization, organ, and electronics. In her solo work, she considers the reproduction of sound and meaning through a range of historical material processes, including reel-to-reel tape looping, cassette tape sampling, and field recording. With the limited palette of a 1960s Ace Tone organ, viola, an analog drum machine, and voice, she crafts a sound collage of transient songs on a bed of droning ambient noise. She has recently collaborated in improvised and composed settings with Circuit des Yeux, TALsounds (as Damiana), Gel Set (as Simulation), Lia Kohl, Macie Stewart, Brett Naucke, Ryley Walker, Bitchin Bajas, Lea Bertucci, and Sarah Davachi. In tandem with her music practice, she received her doctorate in the sociology of sound from the University of Chicago, writing a dissertation on the cultural value of embodied sensory perception, particularly in the discipline of sound art.